Blaqbonez Breaks Silence Amid Odumodublvck Clash: “They Say They’ll Kill Me”
The Nigerian rap scene is no stranger to lyrical battles, but the ongoing tension between Blaqbonez and Odumodublvck has taken a sharp and unsettling turn. What began as a competitive critique in a diss track has evolved into something far more personal—and potentially dangerous.
In a recent tweet, Blaqbonez shocked fans when he claimed, “They say they’ll kill me,” sparking serious concern and highlighting the fine line between artistic rivalry and real-life threats.
How It Started
The drama began when Blaqbonez and A-Q dropped a track titled “Who’s Really Rapping”, a song aimed at calling out what they perceive as the lack of authenticity and skill in Nigeria’s current rap climate.
Odumodublvck, known for his unique blend of street rap and new-school energy, seemed to take the track personally. He fired back on X (formerly Twitter), saying,
“If rap hard for me, your last hit no go dey with me. I’m everything you want to be.”
He went further, making it clear that this wasn’t just a studio squabble:
“This is not a rap beef. Na me and you for this world. We go meet again for street.”
These statements turned the tide. What could have stayed within the creative walls of music became a dangerous game of ego, pride, and veiled threats.
Blaqbonez’s Reaction: “They Want to Kill Me”
In a surprising and emotional response, Blaqbonez took to X to voice fears about his safety:
“Them say them go kill me, but I don record enough for 3 more albums. No fear.”
The message was both a confession and a warning. He claims to have recorded multiple projects in anticipation of possible harm, indicating that he sees the threats as real, not metaphorical.
This isn’t just rap beef—this is about survival.
The public outcry was swift. While some fans dismissed it as dramatic flair typical of rap culture, others expressed concern. What kind of rivalry leads an artist to prepare posthumous albums?
A War of Words or Something More?
It’s clear that this is no longer about who has better bars. The language has shifted from lyrical sparring to street-level threats.
Odumodublvck’s refusal to release a diss track and instead call for a “meeting on the street” suggests a deeper, personal grievance.
Blaqbonez, on the other hand, has maintained his stance that it should remain artistic:
“Enter studio and get TF out my mentions. You can’t bully your way into legacy.”
But can a rap legacy survive when real-life danger overshadows creativity?
What This Means for Nigerian Hip-Hop
This beef isn’t happening in isolation. Nigerian rap has long thrived on competition—think of MI vs Vector or even the playful banter between Falz and Reminisce.
But the Blaqbonez-Odumodublvck saga feels different. It’s more heated, more threatening, and more personal.
As fans and artists look on, many are calling for a return to the music—not the mayhem. Whether this beef ends in a collaborative studio battle or fizzles out with apologies remains to be seen.
One thing is clear: Nigerian hip-hop is at a crossroads, and its next moves could define its legacy.
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